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	<title>Carmina Slovenica - OVIS collection</title>
	<link>http://www.carmina-slovenica.si/</link>
	<language>en</language>
	<copyright>Copyright 2026 Carmina Slovenica</copyright>
	<description></description>
	<webMaster>sale@plastikfantastik.net (Plastikfantastik)</webMaster>
	<pubDate>Sun, 05 Apr 2026 12:13:43 +0200</pubDate>
	<lastBuildDate>Sun, 05 Apr 2026 12:13:43 +0200</lastBuildDate>
	<category>News</category>	
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			<title>ALONE IN IT'S UNIQUENESS</title>
			<link>http://www.carmina-slovenica.si/en/fhksjdfh_/djkfavk_/</link>
			<description><![CDATA[<p>
  an immersive sonic event for a solitary visitor
</p>
<p>
  &nbsp;
</p>
<p>
  Text: Dr. Mladen Dolar
</p>
<p>
  Concept and music: Karmina Šilec
</p>
<p>
  Performed by: Mladen Dolar, Kebataola ensemble, Andrej Fon (prerecorded)
</p>]]></description>
			<guid isPermaLink="true">http://www.carmina-slovenica.si/en/fhksjdfh_/djkfavk_/</guid>
			<content:encoded><![CDATA[
  
    I know what you're thinking. That it's some kind of... monster. That I'm joking. But I'm not. It's an animal. My animal. A hybrid.
  


  <strong>Alone in Its Uniqueness&nbsp;i</strong>s a sound installation miniature—an allegory symbolizing the inner disunity of the human being, the inadequacy of social categories, and the anxious search for transcendence beyond ordinary experience. Conceived as an immersive sonic event for a solitary visitor, it invites—perhaps even compels—reflection on personal identity, societal norms, and the absurdity of the rational world.


  
    How might we imagine a different society, a different form of community—a new kind of solidarity among unique hybrids?
  


  I


  &nbsp;


  Text: Dr. Mladen Dolar


  Concept and music: Karmina Šilec


  Performed by: Mladen Dolar, Kebataola ensemble, Andrej Fon (pre-recorded)


  &nbsp;


  produced: Carmina Slovenica, 2025


  &nbsp;
]]></content:encoded>
			<pubDate>Wed, 25 Jun 2025 15:02:37 +0200</pubDate>
		</item>
				<item>
			<title>OVIS Boring sheep that have been changing the world</title>
			<link>http://www.carmina-slovenica.si/en/fhksjdfh_/sdbakjsd_/</link>
			<description><![CDATA[ <p>
  OVIS book is a canvas on which the history of the world is projected through the sheep: from ancient Mesopotamia to the Medici family and the beginning of opera; from the wool trade that ended wars to sheep intestines for birth control and prevention of syphilis spread. OVIS questions the...]]></description>
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			<content:encoded><![CDATA[
  OVIS book is a canvas on which the history of the world is projected through the sheep: from ancient Mesopotamia to the Medici family and the beginning of opera; from the wool trade that ended wars to sheep intestines for birth control and prevention of syphilis spread. OVIS questions the relationship between humans and animals. The project is conceived as a space of integration and collaboration of various disciplines: religion, music, philosophy, chemistry, medicine, art, history, and
  others. A symbolic starting point is the sheep as a marginalised subject.


  &nbsp;


  When I look at the OVIS collection, which speaks of the past, present, and even future of the coexistence between humans and sheep, I am confronted with both fascination at the dimensions and the brutality of history and the present that speak through these objects. They all travel between social contexts, thus gaining new levels of meaning and cultural significance.


  &nbsp;


  release to be announced
]]></content:encoded>
			<pubDate>Wed, 02 Oct 2024 20:03:30 +0200</pubDate>
		</item>
				<item>
			<title>SHEEP MUSEUM</title>
			<link>http://www.carmina-slovenica.si/en/fhksjdfh_/djzdbha/</link>
			<description><![CDATA[ <p>
  The <strong>Sheep Museum</strong> incudes four sections: Naturalia, Artificialia, Scientifica, and Magica. Groups of objects organized thematically and taxonomically follow the principle of a wunderkammer. Cabinets of curiosities originated in Renaissance Europe when private collectors began...]]></description>
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			<content:encoded><![CDATA[
  The <strong>Sheep Museum</strong> incudes four sections: Naturalia, Artificialia, Scientifica, and Magica. Groups of objects organized thematically and taxonomically follow the principle of a wunderkammer. Cabinets of curiosities originated in Renaissance Europe when private collectors began gathering exotic, marvellous, fantastic, or unusual objects during travels, scientific experiments and research, or through other means. By organizing and displaying the artifacts, they aimed to
  rationalize and categorize a vast amount of information.


  The <strong>Sheep Museum</strong> tells history through objects. It seeks to address diverse human experiences and narrate entire social environments through simple items from everyday life, complex ideological constructs, or great works of art – employing the principle of the part(s) for the whole and the whole for the part(s).The objects and ideas representing the history of the world revive things that man have made from sheep, awakening their meaning, which often exceeds the original
  intention of the maker. The exhibits bear witness to the journey of humans and sheep through centuries and millennia: some carefully crafted, admired, preserved others worn and discarded; some reliable, others speculative. All equally important, all interconnected.


  The <strong>Sheep Museum i</strong>s an exhibition about the interaction between humans and sheep and the ethical-political consequences of this relationship, from dressing in fur to the development of global industry, starting with wool production. By deciphering the messages that objects convey through time, the exhibition speaks of people and places, of moments in history and our time, of how we think and act. Its purpose is to acquaint visitors with the history, ecology, and global
  dynamics of obtaining and producing sheep products, to show the connection between animals and humans, and thus enable a broader understanding of how objects and ideas work within the entire ecosystem.


  &nbsp;


  Author: Karmina Šilec


  assistant: Marisa Filipčič


  thanks to:


  Lyngheisenteret på Lygra i Nordhordland, Seim, Hetland (MUHO) (NO), MIKRO+POLO, d. o. o., Jure Miloš (BA), Zoran Stamenov (RS), Kmetijska zadruga Loznati (HR), Estancia San Gregorio (CL), Muzej ovčarstva Lubenice Cres (HR), Narodni dom Maribor, Ullvarefabrikk, Hjelmas (NO), Gostilna Bukaleta (HR), Udruga Pramenka (HR), Mkhululi Matyalana Ka Mabija (SA), Elisabeth Halvorsen (NO), Tannery Poland (PL), Nikola Mico Velčič (HR), Mat Muntz (ZDA), Mesnica Prus, Alenka Žavbi Kunaver, Andrej Kobal,
  Janez&nbsp;Jamnik, Janez Jocif, Soven, Dr.&nbsp;Angela Cividini, Alenka Fortič, Andreja Krleža, Kmetija Kekec, Bojan Jagodič, Branko Zorec, Dejan Novak, Dušan Jejčič, Irena Brišar, Irena Krempl, Irena Šober Jagodič, Ivan Košutar, Jaka Oset, Karin Sajko, Majda Korotančnik, Njec Valenti, Marisa Filipčič, Marjetka Temet, Društvo Pekinpah, Mojca Redjko, Renata Jecl, Simona Joras, Tamara Filipčič, Vera Novak, Vesna Gorjup, Vesna Novitović, Zdenka Cimerman, Nika Hozjan, Zlatko Breznik, Zvezdana
  Sajko, Zvonko Drevenšek, Tomaž Filipčič, Zvonko Miklavc, Žana Klobučar, Enisa Dorić and members of project choir Choregie


  &nbsp;


  Production: <strong>Carmina Slovenica,</strong> 2024


  in cooperation with:The Minoriti Cultural Quarter, Maribor Puppet Theatre, Newmusic-theatre Choregie
]]></content:encoded>
			<pubDate>Wed, 02 Oct 2024 17:33:40 +0200</pubDate>
		</item>
				<item>
			<title>BORING SHEEP THAT HAVE BEEN CHANGING THE WORLD </title>
			<link>http://www.carmina-slovenica.si/en/fhksjdfh_/hjalsdh_/</link>
			<description><![CDATA[<p>
  25 % sound and music
</p>
<p>
  45 % theatre essays
</p>
<p>
  30 % performance
</p>
<div class="bcmsFckVideo bcmsFckVideoIframe">
  <div class="bcmsFckVideo bcmsFckVideoIframe">
    <iframe allowfullscreen="" frameborder="0" height="385" src="//www.youtube-nocookie.com/embed/pEmIxI0d6a8?rel=0" width="688"></iframe>
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        OVIS
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  <div class="bcmsFckVideoDescription">
    <div class="bcmsFckVideoDescriptionC">
      &nbsp;
    </div>
  </div>
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			<content:encoded><![CDATA[
  
    
      &nbsp;
    
  


  &nbsp;


  &nbsp;


  
  
    
      OVIS
    
  


  &nbsp;


  &nbsp;


  &nbsp;


  Sheep have been central to the human story.


  The key player in human history, this remarkable animal has been feeding, healing, clothing, and supporting us to prosperity and misery, to build empires and devastate landscapes, to decorate our homes and discover new continents, to build cities and create works of art.


  Sheep are not just cattle waiting to become meat.


  OVIS brings this everyday species to the fore. It explores some of the profound impact sheep have had on humanity and natural world, their origin, and other extraordinary things humans have learned from them. Their role in our diets has changed us biologically; they are essential to modern medicine, science and industry; and they hold huge symbolic value in many cultures. The success or failure of civilisations has depended on sheep. OVIS&nbsp;gives these creatures a chance to tell their
  story.


  OVIS is a canvas on which the history of the world is projected through the sheep: from ancient Mesopotamia to the Medici family and the beginning of opera; from the wool trade that ended wars to sheep intestines for birth control and prevention of syphilis spread. OVIS questions the relationship between humans and animals. The project is conceived as a space of integration and collaboration of various disciplines: religion, music, philosophy, chemistry, medicine, art, history, and others. A
  symbolic starting point is the sheep as a marginalised subject.


  Performed by:


  <strong>Samatha Balaton Chrimes, PhD</strong>, political sociologist


  <strong>Marjeta Ciglenečki, PhD</strong>,&nbsp;art historian


  <strong>Mladen Dolar, PhD,</strong>&nbsp;philosopher


  <strong>Andrej Hozjan, PhD</strong>,&nbsp;historian


  <strong>Lochlann Jain, PhD</strong>,&nbsp;anthropologist and artist&nbsp;


  <strong>Teja Brooks Pribac, PhD</strong>,&nbsp;philosopher and animal rights&nbsp;activist


  <strong>Maja Rupnik, PhD,</strong> microbiologist


  J<strong>uan Manuel Tebes, PhD</strong>, resreach historian


  <strong>Terezija&nbsp;Snežna Vrečko, PhD</strong>, biblicist


  &nbsp;


  <strong>Gregor Zorc,</strong> actor


  <strong>Minca Lorenci</strong>, actress


  <strong>Gregor Luštek</strong>, dancer


  <strong>Andrej Fon,</strong> musician


  <strong>Jasmina Črnčič, Eva Germ and &nbsp;Mojca Borko,</strong>&nbsp;singers


  <strong>Project choir CHOREGIE:</strong>


  &nbsp;


  Ensamble Kebataola&nbsp;(Karmina Šilec)


  Vocal group A Cappella (Tone Žuraj)


  Mixed choir Škrjanček (Tone Žuraj)


  Vocal group Fantje na vasi ( Tone Žuraj)


  Vocal group Ad Hoc (Matevž Rebevšek)


  &nbsp;


  Creative team


  &nbsp;


  <strong>Karmina Šilec</strong>,&nbsp;concept, project design,&nbsp;music, texts


  <strong>Dorian Šilec Petek</strong>, concept, set, video


  <strong>Danilo Ženko,</strong> &nbsp;sound designer


  <strong>Andrej Hajdinjak</strong>, light designer


  &nbsp;


  <strong>Mojca Redjko and Marisa Filipčič</strong>, creative associates


  &nbsp;


  Lutkovno gledališče Maribor associates:


  <strong>Tanja Lužar, Grega Tanacek, Gregor Dvornik, Gašper Bohinec, Lucijan Jošt</strong>


  &nbsp;


  During the event, which lasts 3,5 - 4 hours with an interval, the audience moves between the different venues of the Minoriti Cultural Quarter.


  &nbsp;


  Premiere: November 15, 2024, The&nbsp;Minoriti&nbsp;Cultural Quarter, at 18.00


  Production: <strong>Carmina Slovenica</strong>, 2024


  in cooperation with:The Minoriti Cultural Quarter, Maribor Puppet Theatre, Newmusic-theatre Choregie


  &nbsp;
]]></content:encoded>
			<pubDate>Wed, 02 Oct 2024 12:25:42 +0200</pubDate>
		</item>
				<item>
			<title>PASTORAL</title>
			<link>http://www.carmina-slovenica.si/en/fhksjdfh_/hadkjahsd_-1/</link>
			<description><![CDATA[<p>
  Collection OVIS
</p>
<p>
  Pastoral is not a story about what the sheep did for us, it is a necrography – a history of deaths and ultra-violence taking place over decades, centuries. This violence is not a thing of the past, it is an ongoing act. Human victories over primitive and stupidsheep act as an extension of events, a timeless, almost eternal repetition and escalation of violence against animals. Their remains demonstrate our (un)awareness and animal (un)worthiness.
</p>]]></description>
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			<content:encoded><![CDATA[
  Sheep are not just cattle waiting to become meat.


  Collection OVIS


  Pastoral is not a story about what the sheep did for us, it is a necrography – a history of deaths and ultra-violence taking place over decades, centuries. This violence is not a thing of the past, it is an ongoing act. Human victories over primitive and stupidsheep act as an extension of events, a timeless, almost eternal repetition and escalation of violence against animals. Their remains demonstrate our (un)awareness and animal (un)worthiness.


  Pastoral is a curiosity of this centuries-long, ongoing relationship between human and non-human animals. It is an abstract of relativisations, justifications, obfuscations, concealments and inanities of the belief in human supremacy. And of human necropolitics determining who (and how) lives and who (and how) dies.


  Pastoral arose in the process of enduring a bond between two animal species – of a man and seven types of sheep, 1,200 breeds of Ovis Aries. Pastoral is both a moment of anxious recognition and a challenge to the self-sufficient subjectivity of the human species.


  &nbsp;


  What could be more idyllic than the sight of fluffy lambs grazing joyfully with their mothers?


  But at least half of the lambs we watch in spring will have died before the end of the year: millions will perish of malnutrition or disease within early days after birth, others will be slaughtered for meat just ten weeks old. In their short lives, they will be forced to painful mutilations such as tail docking or castration without painkillers. They will often be shamefully neglected, suffering from lameness, painful infections and parasites. Many will freeze to death or collapse in cold.
  Before being sent to a horrific death in slaughterhouses, these delicate animals will be subjected to harsh treatment and long, traumatic journeys in overcrowded lorries, often without adequate food, water and ventilation, on their way to market. When live animals cruelly exported overseas, their suffering will be prolonged as they are crammed onto boats on a grim weeks-long journey. Meanwhile, machines will endlessly milk their mother instead of them nursing their lambs.


  From the ancient fascination with these sacrificial animals, global imperialism, industrialisation, slaughterhouses, brutal animal husbandry, genocides, over modern entertainment (ewe-topias), Christian art, pastorals, to idealised fluffy toys, it is inherent that, historically speaking, sheep have somehow failed. Today, there are 1.2 billion sheep in the world forced to live as Man has chosen for them.


  What could be more idyllic than the sight of fluffy lambs joyfully grazing with their mothers?


  &nbsp;


  Author: Karmina Silec


  Minoriti Church, Maribor, 2024
]]></content:encoded>
			<pubDate>Mon, 16 Sep 2024 18:35:37 +0200</pubDate>
		</item>
				<item>
			<title>ACCESS POINT </title>
			<link>http://www.carmina-slovenica.si/en/fhksjdfh_/dbfasdhb_-1/</link>
			<description><![CDATA[ <p>
  Geolocated Storytelling
</p>
<h2>
  Teya Brooks Pribac: PUMPKIN
</h2>
<p>
  performed and produced by: Teya Brooks Pribac
</p>
<p>
  radio play
</p>
<h2>
  Karmina Šilec: MEDI&nbsp;innocent silent shepherd
</h2>
<p>
  performed by: Minca Lorenci
</p>
<p>
  from the book Colossal Balkan...]]></description>
			<guid isPermaLink="true">http://www.carmina-slovenica.si/en/fhksjdfh_/dbfasdhb_-1/</guid>
			<content:encoded><![CDATA[
  Geolocated Storytelling


  Teya Brooks Pribac: PUMPKIN


  performed and produced by: Teya Brooks Pribac


  radio play


  Karmina Šilec: MEDI&nbsp;innocent silent shepherd


  performed by: Minca Lorenci


  from the book Colossal Balkan fiction


  &nbsp;


  &nbsp;


  Sheep have been central to the human story.


  The key player in human history, this remarkable animal has been feeding, healing, clothing, and supporting us to prosperity and misery, to build empires and devastate landscapes, to decorate our homes and discover new continents, to build cities and create works of art.


  Sheep are not just cattle waiting to become meat.


  OVIS brings this everyday species to the fore. It explores some of the profound impact sheep have had on humanity and natural world, their origin, and other extraordinary things humans have learned from them. Their role in our diets has changed us biologically; they are essential to modern medicine, science and industry; and they hold huge symbolic value in many cultures. The success or failure of civilisations has depended on sheep. OVIS&nbsp;gives these creatures a chance to tell their
  story.


  Guest:


  <strong>Teya Brooks Pribac, PhD</strong>&nbsp;(Slovenia / Australia)&nbsp;is an animal studies scholar with a particular interest in cross species grief as well as spirituality as a bodily-focused, non-denominational engagement.&nbsp;She lives in the Australian Blue Mountains with sheep and other animals.&nbsp;
  &nbsp;


  &nbsp;


  Location:&nbsp;The&nbsp;Minoriti&nbsp;Cultural Quarter
  &nbsp;


  USE: download the ECHOES app on your phone, listen with headphones


  https://explore.echoes.xyz/collections/ylgFcFCIHEBdn0Yl
]]></content:encoded>
			<pubDate>Fri, 13 Sep 2024 18:30:48 +0200</pubDate>
		</item>
				<item>
			<title>Boring sheep that have been changing the world</title>
			<link>http://www.carmina-slovenica.si/en/fhksjdfh_/afbakhd_-1-3/</link>
			<description><![CDATA[<h2>
  dokumentarna opera
</h2>
<p>
  &nbsp;
</p>
<div class="bcmsFckVideo bcmsFckVideoIframe">
  <iframe allowfullscreen="" frameborder="0" height="385" src="//www.youtube-nocookie.com/embed/pEmIxI0d6a8?rel=0" width="688"></iframe>
  <div class="bcmsFckVideoDescription">
    <div class="bcmsFckVideoDescriptionC">
      OVIS
    </div>
  </div>
</div>
<p>
  &nbsp;
</p>
<p>
  &nbsp;
</p>
<p>
  Ovce so bistvene v človeški zgodbi.
</p>
<p>
  Med živalmi je ovca najmočneje vplivala na življenje ljudi. Ključna v človekovi zgodovini nas ta izjemna žival hrani, zdravi, oblači, nam pomaga do blaginje in bede, graditi imperije in pustošiti krajine, urejati dom in odkrivati nove kontinente, graditi mesta in ustvarjati umetnine.
</p>
<p>
  Ovce niso le rejne živali, ki čakajo, da postanejo ovčetina.
</p>
<p>
  <a href="https://www.carmina-slovenica.si/gradivo/dgah_/?bcmsPreview=MjY2OC9fc210ci9lbWF3dW1jL2dyLmJlbHJqYnZ0Yi1senZhZ3F0LnBxci8vOnJwdXZr">PROGRAMSKA KNJIŽICA</a>
</p>
<p>
  &nbsp;
</p>]]></description>
			<guid isPermaLink="true">http://www.carmina-slovenica.si/en/fhksjdfh_/afbakhd_-1-3/</guid>
			<content:encoded><![CDATA[
  
    
      
        
        
          
            OVIS
          
        
      
    
  


  Sheep have been central to the human story.


  The key player in human history, this remarkable animal has been feeding, healing, clothing, and supporting us to prosperity and misery, to build empires and devastate landscapes, to decorate our homes and discover new continents, to build cities and create works of art.


  Sheep are not just cattle waiting to become meat.


  OVIS brings this everyday species to the fore. It explores some of the profound impact sheep have had on humanity and natural world, their origin, and other extraordinary things humans have learned from them. Their role in our diets has changed us biologically; they are essential to modern medicine, science and industry; and they hold huge symbolic value in many cultures. The success or failure of civilisations has depended on sheep. OVIS&nbsp;gives these creatures a chance to tell their
  story.


  OVIS is a canvas on which the history of the world is projected through the sheep: from ancient Mesopotamia to the Medici family and the beginning of opera; from the wool trade that ended wars to sheep intestines for birth control and prevention of syphilis spread. OVIS questions the relationship between humans and animals. The project is conceived as a space of integration and collaboration of various disciplines: religion, music, philosophy, chemistry, medicine, art, history, and others. A
  symbolic starting point is the sheep as a marginalised subject.


  Performed by:


  Samatha Balaton Chrimes, PhD, political sociologist


  Marjeta Ciglenečki, PhD,&nbsp;art historian


  Mladen Dolar, PhD,&nbsp;philosopher


  Andrej Hozjan, PhD,&nbsp;historian


  Lochlann Jain, PhD,&nbsp;anthropologist and artist&nbsp;


  Teja Brooks Pribac, PhD,&nbsp;philosopher and animal rights&nbsp;activist


  Maja Rupnik, PhD, microbiologist


  Juan Manuel Tebes, PhD, resreach historian


  Terezija&nbsp;Snežna Vrečko, PhD, biblicist


  &nbsp;


  Gregor Zorc, actor


  Minca Lorenci, actress


  Gregor Luštek, dancer


  Andrej Fon, musician


  Jasmina Črnčič, Eva Germ and &nbsp;Mojca Borko,&nbsp;singers


  Project choir CHOREGIE:


  &nbsp;


  Ensamble Kebataola&nbsp;(Karmina Šilec)


  Vocal group A Cappella (Tone Žuraj)


  Mixed choir Škrjanček (Tone Žuraj)


  Vocal group Fantje na vasi ( Tone Žuraj)


  Vocal group Ad Hoc (Matevž Rebevšek)


  &nbsp;


  Creative team


  &nbsp;


  Karmina Šilec,&nbsp;concept, project design,&nbsp;music, texts


  Dorian Šilec Petek, concept, set, video


  Danilo Ženko, &nbsp;sound designer


  Andrej Hajdinjak, light designer


  &nbsp;


  Mojca Redjko and Marisa Filipčič, creative associates


  &nbsp;


  Lutkovno gledališče Maribor associates:


  Tanja Lužar, Grega Tanacek, Gregor Dvornik, Gašper Bohinec, Lucijan Jošt


  &nbsp;


  During the event, which lasts 3,5 - 4 hours with an interval, the audience moves between the different venues of the Minoriti Cultural Quarter.


  &nbsp;


  Premiere: November 15, 2024, The&nbsp;Minoriti&nbsp;Cultural Quarter, at 18.00


  Production: Carmina Slovenica, 2024


  in cooperation with:The Minoriti Cultural Quarter, Maribor Puppet Theatre, Newmusic-theatre Choregie
]]></content:encoded>
			<pubDate>Thu, 15 Aug 2024 19:05:08 +0200</pubDate>
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