Danes smo vajeni poslušati glasbo le še v koncertnih dvoranah, a veliko glasbe je nastajalo za izvajanju v drugačnih okoljih. Kaj bi pričakovali ob obisku družabnega salona v Parizu v začetku 20. stoletja? Veliko umetnosti. Tako intimno blizu, da bi slišali dih pevca in vonjali znoj plesalca. Slikarji, plesalci, meceni, aristokrati, pevci, literati in drugi so se srečevali v intimnih prostorih premožnih gostiteljev. Tam so peli in plesali, jedli in razpravljali, se ljubili in opijali,
ustvarjali in prerekali. Vsakdo je lahko zapel, zaigral na inštrument, recitiral ali zaplesal. Saloni so bili mesto, kjer so obiskovalci z umetnostjo polnili duha, v pogovorih ostrili um in uživali ob vinu. Misli, besede, glasba, gib, podobe so bile povezane v umetniško družabni dogodek. Glasbeno plesni projekt z glasbo francoskih skladateljev - Iz francoskih salonov prinaša izkušnjo takega intimnega druženja.
Gabriel Faure, Benjamin Godard, Claude Debussy, Mel Bonis, Cecile Chaminade, Georges Aperghis, Reynaldo Hahn, Mátyás Gyorgy Seibe, R. Gliere, Jean-Philippe Rameau, Jean-Baptiste Weckerlin, Maurice Ravel
Architectural space is not a total message in itself. It makes something possible, but it becomes fully meaningful only when it is used. It can also be an indicator of the content. Architecture could become interesting differently when experienced via auditory senses. Space through sound. In sound exhibition Philomela the interplay between aural and visual architecture creates captivating spatial experiences. Sonic walk is designed to immerse a walker in the sounds and place by
placing music in the church and in quiet spaces of outdoor courtyards what heightens walkers’ awareness to sound and space. Songs sound like the landscape what shaped the experience. After installing the free smartphone app and downloading Philomela, participants can explore at their own pace, triggering a dense array of musical cells that are carefully crafted to harmonize with the Minoriti church landscape and attractions.
PHILOMELA tries to increase awareness of the gaps in our knowledge of music composed by women. The project aims to change our understanding of the canon of classical music, and its overwhelmingly male appearance. The project aims to investigate forgotten identity of early women composers. The goal is also to erase the need for the distinction of ‘female’ composer entirely.
HOW TO USE:
Carmina Slovenica's first geolocation sound exhibition takes the listener through Minoriti Church. With the help of a simple application loaded on a smartphone, listeners follow the markings on the map of Minoriti. When listeners enter geographically restricted areas - at locations marked with a circle - the musical content of Carmina Slovenica's performance is triggered.
Melita Forstnerič Hajnšek:PLANET CARMINA
prevod: Irena Duša
Accompanying one of the best choirs to six continents meant writing our own Lonely Planet or Travelling Planet on those journeys together. Landscapes, real and imaginative, are mixed together, they fuse...
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